on January 22th, sunday evening (timezone:PST) will be the Arbitrage movie premiere at Sundance, and there are 2 new clip

(btw, the 28th Sundance Film Festival between January 19-29, 2012 in Park City, Utah. more here)

“I’m Sorry” clip on imdb

“As Long as We Are Not Here” clip on vimeo (source: deadline) or on movieweb

28th Sundance Film Festival: January 19-29, 2012, Park City, Utah

- Brit Marling will be in a new movie (with Richard Gere and Tim Roth) which will be at Sundance in 2012: this movie called Arbitrage

storyline: A troubled hedge fund magnate desperate to complete the sale of his trading empire makes an error that forces him to turn to an unlikely person for help.

- Elizabeth Olsen will be in two new movie which will be at Sundance in 2012:

# 1: Red Lights

storyline: Psychologist Margaret Matheson and her assistant study paranormal activity, which leads them to investigate a world-renowned psychic.

# 2: Liberal Arts

storyline: When thirty-something Jesse is invited back to his alma mater, he falls for a young 19-year-old college student and is faced with the powerful attraction that springs up between them.

Another Earth Featurette - Science Fiction

Richard E. Berendzen - Pulp Physics: Astronomy; Human Kind in Space and Time (2003) ISBN 1-59007-355-X (audio book)

from wikipedia

Another Earth - Exclusive: Brit Marling Interview

Another Earth director Mike Cahill and actress Brit Marling talk with author Elizabeth Licorish

Blu-Ray Clip: Director’s Commentary

Director Mike Cahill discusses a scene in a prison.

there are (at least) 2 deleted scene on Another Earth blu-ray dvd

second is here

“I spend a lot of time sitting in a chair, looking out a window, just daydreaming about the conditions or circumstances of the story until it begins to feel real, until it begins not to feel separate from me anymore,” she says. “I feel like I have to keep going because I haven’t been true enough, authentic enough, I haven’t gotten close enough to what it’s like at the center of a violin performance or a dance or a story, when you feel something unlock. It’s not a bad kind of dissatisfaction, I still take so much joy in what I’m doing. I love it. And there’s something about not ever quite getting at the center that is actually really beautiful and invigorating, and makes you love being alive. I guess if you could get at the center, you’d feel done, it would be over.” - V Magazine

“I spend a lot of time sitting in a chair, looking out a window, just daydreaming about the conditions or circumstances of the story until it begins to feel real, until it begins not to feel separate from me anymore,” she says. “I feel like I have to keep going because I haven’t been true enough, authentic enough, I haven’t gotten close enough to what it’s like at the center of a violin performance or a dance or a story, when you feel something unlock. It’s not a bad kind of dissatisfaction, I still take so much joy in what I’m doing. I love it. And there’s something about not ever quite getting at the center that is actually really beautiful and invigorating, and makes you love being alive. I guess if you could get at the center, you’d feel done, it would be over.” - V Magazine